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UID:1225@https://flypost.ie
SUMMARY:Struàn Bell—Pinky Ring
DTSTAMP:20260611T175358Z
DTSTART:20260701T230000Z
DTEND:20260718T170000Z
DESCRIPTION:Pinky Ring presents a series of plaster relief carvings shaped 
	by ideas of\nspeculative function\, symbolic architectures\, and objects o
	f personal affection.\nFaceted gemstones appear throughout the works\, fun
	ctioning like small acts of\nemphasis or attachment.\n\nChosen in the way 
	one might select a piece of jewellery to mark a moment of\nsignificance\, 
	they introduce a sense of private importance to scenes\, systems\,\nand ob
	jects that otherwise remain speculative and unresolved.\n\nRecurring forms
	 move throughout the works utilising the logic of instructions\,\nsymbols\
	, or traces of larger systems. Arrows\, chambers\, vessels\, and passages\
	nsuggest consequence or function without ever resolving into stable meanin
	g. The\ntitles reflect this same tension\, moving between plain descriptio
	n and private\nimplication.\n\nIn Pinky Ring\, materials such as oil paint
	s\, stains\, pastels\, hides\, and inks\nintroduce softness\, ornament\, t
	exture\, and vulnerability into the surfaces of\nthe reliefs. Combined wit
	h plaster and stone\, they allow sincerity and ambiguity\nto coexist withi
	n works that seem structured or severe. At the core of the\nexhibition is 
	an interest in how personal objects can absorb memory\, attachment\,\nand 
	become charged with emotional weight.\n\nAccompanying the exhibition is a 
	commissioned text by Cork-based curator Katie\nO’Grady.
URL:https://flypost.ie/event/struan-bellpinky-ring
LOCATION:Pallas Projects/Studios - 115-116 The Coombe\, D08A970
STATUS:CONFIRMED
CATEGORIES:
X-ALT-DESC;FMTTYPE=text/html:<p>Pinky Ring presents a series of plaster rel
	ief carvings shaped by ideas of speculative function, symbolic architectur
	es, and objects of personal affection. Faceted gemstones appear throughout
	 the works, functioning like small acts of emphasis or attachment.</p><p>C
	hosen in the way one might select a piece of jewellery to mark a moment of
	 significance, they introduce a sense of private importance to scenes, sys
	tems, and objects that otherwise remain speculative and unresolved.</p><p>
	Recurring forms move throughout the works utilising the logic of instructi
	ons, symbols, or traces of larger systems. Arrows, chambers, vessels, and 
	passages suggest consequence or function without ever resolving into stabl
	e meaning. The titles reflect this same tension, moving between plain desc
	ription and private implication.</p><p>In Pinky Ring, materials such as oi
	l paints, stains, pastels, hides, and inks introduce softness, ornament, t
	exture, and vulnerability into the surfaces of the reliefs. Combined with 
	plaster and stone, they allow sincerity and ambiguity to coexist within wo
	rks that seem structured or severe. At the core of the exhibition is an in
	terest in how personal objects can absorb memory, attachment, and become c
	harged with emotional weight.</p><p>Accompanying the exhibition is a commi
	ssioned text by Cork-based curator Katie O’Grady.</p>
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DESCRIPTION:Struàn Bell—Pinky Ring
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