BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:989@https://flypost.ie SUMMARY:Marisa Anderson plays The Anthology Of UnAmerican Folk Music DTSTAMP:20260427T220413Z DTSTART:20260912T190000Z DTEND:20260912T214500Z DESCRIPTION:‘One of the best emotional mediums in the field of solo guitar\ , Anderson is a\nmaster of lovely melancholy.’ – Pitchfork\n\nEnthusiastic Eunuch Presents\n\n\nMARISA ANDERSON\n\nperforming\n\nThe Anthology Of Un American Folk Music\n\nThe Cobblestone\n\nSaturday 12th September\n\nDoors 8pm\n\nTickets €23 via\nhttps://billetto.ie/e/marisa-anderson-presents-th e-anthology-of-unamerican-folk-music-tickets-1867771\n[https://billetto.ie /e/marisa-anderson-presents-the-anthology-of-unamerican-folk-music-tickets -1867771]\n\nAbout This Performance\n\nMarisa will be touring her new albu m\, called Volume 1. The record will be\nreleased May 2026 on Thrill Jocke y as part of a larger multi-year release\nproject connected to her ongoing work curation of what she calls the Anthology\nof UnAmerican Folk Music. This curated collection draws from nearly one thousand\nsongs sourced from the private record collection of Harry Smith\, where she is\nfocusing on music from regions where the United States has engaged in conflict\nsince 1970\, including Southeast Asia\, the former USSR\, and the Arabic and\nIs lamic world. Very relevant at the moment! Marisa was awarded a residency\n through the Tulsa Artist Fellowship granting her access to an archive (of more\nthan 1\,200 records) from Smith’s personal collection\, now owned by the\nUniversity of Oklahoma and housed at the Bob Dylan Center in Tulsa. During the\nnine-day residency\, Marisa focused on collecting recordings f rom countries\nconnected to U.S. conflicts during her lifetime starting in 1970 - the year she\nwas born. The record features deeply personal interp retations—composed\,\ntranscribed\, and arranged—of music spanning from Af ghanistan to Vietnam\, via\nYemen\, Cambodia\, Turkmenistan\, and Pakistan . She will be performing this\nmaterial live for the first time\, alongsid e selections from her earlier catalog\nand new\, unreleased work\n\nAbout Marisa Anderson\n\nMarisa Anderson channels the history of the guitar and stretches the boundaries\nof tradition. Her playing is fluid\, emotional\, and masterful\, featuring\ncompositions and improvisations that re-imagin e the landscape of American music.\nThe New Yorker calls Anderson ‘one of the most distinctive guitar players of her\ngeneration’\, and NPR refers t o her as among ‘this era’s most powerful players’.\nHer music has been fea tured in Rolling Stone\, NPR\, The New York Times\,\nPitchfork\, the BBC a nd The Wire. Festival appearances include Big Ears\,\nPitchfork Midwinter\ , Le Guess Who and the Copenhagen Jazz Festival. Anderson is\nthe recipien t of the 2025 Spark Award for Oregon Artists presented by the James\nF. an d Marion L. Miller Foundation.\n\nIn addition to her solo work\, Anderson is sought after as a collaborator and\ncomposer. Swallowtail\, her second record in duo with drummer Jim White was\nreleased May 2024 on Thrill Jock ey Records. 2024 also saw the release of the\nfeature film score ‘ A Perfe ct Day For Caribou’\, as well as appearances on\nrecords by Charlie Parr\, Myriam Gendron and Big|Brave. In addition to multiple\nsolo releases\, pa st projects include 2021’s Lost Futures with guitarist William\nTyler\, an d contributions to recordings by Matmos\, Tara Jane O’Neil\, Beth Ditto\,\ nSharon Van Etten and Circuit Des Yeux\, among others.\n\nClassically trai ned\, Anderson honed her skills playing in country\, jazz and\ncircus band s. Her current work is focused on a mid-20th century archive of\nrecorded music from the Islamic world\, Southeast Asia and the Soviet Union.\n\n URL:https://flypost.ie/event/marisa-anderson-plays-the-anthology-of-unameri can-folk-music LOCATION:The Cobblestone\, North King St - North King St\, Dublin 7 STATUS:CONFIRMED CATEGORIES:Experimental,Dublin,live music,music,folk music,experimental fol k music,marisa anderson X-ALT-DESC;FMTTYPE=text/html:

‘One of the best emotional mediums i n the field of solo guitar, Anderson is a master of lovely melancholy.’ – Pitchfork

Enthusiastic Eunuch Presents

Marisa Anderson

performing

The Anthology Of UnAmerican Folk Music< /p>

The Cobblestone

Saturday 12th September

Doors 8pm

Tickets €23 via http s://billetto.ie/e/marisa-anderson-presents-the-anthology-of-unamerican-fol k-music-tickets-1867771

About This Performance

Marisa will be touring her new album, called Volume 1. The record w ill be released May 2026 on Thrill Jockey as part of a larger multi-year r elease project connected to her ongoing work curation of what she calls th e Anthology of UnAmerican Folk Music. This curated collection draws from n early one thousand songs sourced from the private record collection of Har ry Smith, where she is focusing on music from regions where the United Sta tes has engaged in conflict since 1970, including Southeast Asia, the form er USSR, and the Arabic and Islamic world. Very relevant at the moment! M arisa was awarded a residency through the Tulsa Artist Fellowship granting her access to an archive (of more than 1,200 records) from Smith’s person al collection, now owned by the University of Oklahoma and housed at the B ob Dylan Center in Tulsa. During the nine-day residency, Marisa focused on collecting recordings from countries connected to U.S. conflicts during h er lifetime starting in 1970 - the year she was born. The record features deeply personal interpretations—composed, transcribed, and arranged—of mus ic spanning from Afghanistan to Vietnam, via Yemen, Cambodia, Turkmenistan , and Pakistan. She will be performing this material live for the first ti me, alongside selections from her earlier catalog and new, unreleased work

About Marisa Anderson

Marisa Anderson channe ls the history of the guitar and stretches the boundaries of tradition. He r playing is fluid, emotional, and masterful, featuring compositions and i mprovisations that re-imagine the landscape of American music. The New Yo rker calls Anderson ‘one of the most distinctive guitar players of her gen eration’, and NPR refers to her as among ‘this era’s most powerful players ’. Her music has been featured in Rolling Stone, NPR, The New York Times, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival. Anders on is the recipient of the 2025 Spark Award for Oregon Artists presented by the James F. and Marion L. Miller Foundation.

In addition to her solo work, Anderson is sought after as a collaborator and composer. Swall owtail, her second record in duo with drummer Jim White was released May 2 024 on Thrill Jockey Records. 2024 also saw the release of the feature fil m score ‘ A Perfect Day For Caribou’, as well as appearances on records by Charlie Parr, Myriam Gendron and Big|Brave. In addition to multiple solo releases, past projects include 2021’s Lost Futures with guitarist William Tyler, and contributions to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others.

Classi cally trained, Anderson honed her skills playing in country, jazz and circ us bands. Her current work is focused on a mid-20th century archive of rec orded music from the Islamic world, Southeast Asia and the Soviet Union. < /p>

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