BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:357@https://flypost.ie SUMMARY:Eliana Glass (Shelter Press) DTSTAMP:20260514T201025Z DTSTART:20260414T190000Z DTEND:20260414T214500Z DESCRIPTION:“Her music sounds like the rain—it's deceptively simple\, it's total magic.” –\nTone Glow\n\n\n\n\n“E is both restrained and powerful\, a haunting\, slow-blooming force that lingers\nlong after the final note\, as we drift further into the night.” – Foxy Digitalis\n\n\n\n\nEnthusiasti c Eunuch Presents The Irish Debut Of\n\nEliana Glass (Shelter Press)\n\nsp ecial guest tba\n\nArthur’s Blues & Jazz\n\nTuesday 14th April\n\nDoors 8p m\n\nTickets €22.50 via https://billetto.ie/e/eliana-glass-tickets-1769510 \n[https://billetto.ie/e/eliana-glass-tickets-1769510]\n\n\nEliana Glass m asters the rarest of tricks for jazz singers on E\, one of 2025’s\nmost ra pturous debuts: She is experimental but accessible\, embodying the\nsmokin ess and mood of a late-night club\, while always finding some novel twist\ nin form or content. At once\, she summons Billie Holiday but also Annette \nPeacock\, Nina Simone but also Jenny Hval. On E’s dozen tracks\, she off ers a\nlullaby for doomed days in “Da\,” an anthem for self-declaration in “Good Friends\nCall Me E\,” and a pins-and-needles accounting of a life p enned by artist Agnes\nDenes in “Human Dust.” E is often soft and quiet\, Glass’ inquisitive piano\nplaying backed by a rhythm section that is solid but limber. But it feels subtly\nrevelatory\, too\, the hints of electron ics and upended structures signaling the\narrival of a significant vocalis t and improviser.\n\nhttps://www.youtube.com/watch?v=cDVDltkeiBw\n[https:/ /www.youtube.com/watch?v=cDVDltkeiBw]\n\nBorn in Australia to parents who countered kids’ music at home with indie rock\nand classic country\, she m oved to Seattle with her family when she was three\nyears old. She balked at vocal exercises\, but she loved to climb under the\nhousehold piano and stare at its structure\, its bulk and beauty\, anyway. She\nwrote and san g on the records of multiple friends before she began piecing E\ntogether in sessions spread from Memphis to Michigan. With renditions of tracks\nby Peacock\, Carla Bley\, and Karin Krog and a dedication to Emahoy Tsegué-M aryam\nGuèbrou\, E pulls from the pasts of exploratory singers and pianist s\, then bends\nthem gently toward the future.\n\nhttps://www.youtube.com/ watch?v=G2fxiv5KrYk\n[https://www.youtube.com/watch?v=G2fxiv5KrYk] URL:https://flypost.ie/event/eliana-glass-shelter-press LOCATION:Arthur's Blues & Jazz - 28 Thomas St\, Dublin 8 STATUS:CONFIRMED CATEGORIES:Experimental,Dublin,Jazz,live music X-ALT-DESC;FMTTYPE=text/html:

“Her music sounds like the rain—it's de ceptively simple, it's total magic.” – Tone Glow


“E is both restrained and powerful, a haunting, slo w-blooming force that lingers long after the final note, as we drift furth er into the night.” – Foxy Digitalis


Ent husiastic Eunuch Presents The Irish Debut Of

Eliana Glass (Shelter Press)

special guest tba

Arth ur’s Blues & Jazz

Tuesday 14th April

Doors 8pm

Ticke ts €22.50 via https://billetto.ie/e/eliana-glass-tickets-1769510

Eliana Glass masters the rarest of tricks for jazz singers on E, o ne of 2025’s most rapturous debuts: She is experimental but accessible, em bodying the smokiness and mood of a late-night club, while always finding some novel twist in form or content. At once, she summons Billie Holiday b ut also Annette Peacock, Nina Simone but also Jenny Hval. On E’s dozen tra cks, she offers a lullaby for doomed days in “Da,” an anthem for self-decl aration in “Good Friends Call Me E,” and a pins-and-needles accounting of a life penned by artist Agnes Denes in “Human Dust.” E is often soft and q uiet, Glass’ inquisitive piano playing backed by a rhythm section that is solid but limber. But it feels subtly revelatory, too, the hints of electr onics and upended structures signaling the arrival of a significant vocali st and improviser.

https://www.youtube.com/watch?v=cDVDltkeiBw

Born in Australia to parents who countered kids’ music at home with indie rock and classic country, she moved to Seattle with her family when she w as three years old. She balked at vocal exercises, but she loved to climb under the household piano and stare at its structure, its bulk and beauty, anyway. She wrote and sang on the records of multiple friends before she began piecing E together in sessions spread from Memphis to Michigan. With renditions of tracks by Peacock, Carla Bley, and Karin Krog and a dedicat ion to Emahoy Tsegué-Maryam Guèbrou, E pulls from the pasts of exploratory singers and pianists, then bends them gently toward the future.

https:/ /www.youtube.com/watch?v=G2fxiv5KrYk

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